after more than 15 years the legendary dj producer returns with a full length album. eight tracks all about the future that is hiding right under our nose. luke mcmillan provides his familiar signature sounds in a futuristic collection of hardcore beats. he lived the future incognito, and is ready to show us what’s to come.

guapapasea! is the first album by gecko turner

this is the first of many bernadette trax vinyl only releases to come. named after my mother who got me started in all this, bernadette trax is my personal label, a vehicle for my music and a labour of love, specifically my love for deep underground house music of all kinds. the culmination of 30 years of influences, clubbing and too many late nights, this ep features my wonderfully talented friend and vocalist anna krestense gantelius glahn. hope you like it and play it

wolves bay returns with a new pack of tracks continuing his intriguing deep sound.

the 1976 debut album from the mighty maytones finally available again on 180 gram vinyl.

as i m always evolving, every now and again i need to make a point about my latest sound. curveballs has been especially written to showcase the full range of my current sound and features a carefully selected collection of tracks designed for a club environment. riva starr dance musics prolific italian-born london-based sharpshooter riva starr set to release fourth artist album curveballs via adam beyer s revered truesoul records. riva starr has been shaking up the world of dance music with his eclectic and unpredictable palette of sounds and styles for over a decade. over the years, he has racked up numerous accolades and achievements including releasing 3 acclaimed albums (if life gives you lemons, make lemonade in 2010, hand in hand in 2013 and definition of sound in 2016), having a myriad of single/ep releases on some of dance music s most established labels (snatch! records, hot creations, relief, crosstown rebels, dirtybird) and amassing an impressive remix resume of artists including audion, groove armada, dennis ferrer, usher, estelle, london grammar, fatboy slim, reboot and david morales. with all of this success and experience under his belt, the time has come for the talented italian to deliver his much awaited fourth long-player, curveballs comprising of 12 stellar tracks inspired by current club sounds and old school music elements, driven by starr s endeavor to produce music that stands the test of time. the lp s striking opener, always gets things underway and sets the tone with its powerful house groove, warm chord stabs and divine soulful vocal courtesy of legendary house diva jocelyn brown. elsewhere, there s the funk-driven disco-tinged piknik, the uplifting needin u esque disco loco, the dark and commanding the hole (release your soul) and the pounding peak-time synth-laden roller give me love. other highlights include, the infectious breakbeat workout britcoin, the techy electro-tinged fresh and the experimental synth-driven techno gem analhog. the album concludes with 3 fine cuts in the form of the bass heavy tr-909 laden ride, the funk-fueled house groover mantra (early in the morning) and an exclusive deep-house-esque dub version of give me love to round off yet another essential long-player from one of dance music s much-loved artists

das neue album von jazzgitarrist bobby broom auf 180 gramm vinyl.

new years deal - dresden s lockertmatik starts his engines for the first time on shtum and delivers a string of tracks that seem to come from a not so far away dystopian future. here are four tracks that are unpretentious but elaborate, effective but not overambitious. -break the chains- sets the bars in terms of dark techno bliss for both basements and bigger dancefloors. on -message from the underdog- lockertmatik shows off his knack for acidic perfection while -jaku- gets the jazz treatment. finally, -313 - 0351- is all about building tension without losing one bit of impact on the dancefloor. the artwork comes courtesy of carl-johannes schulze.

since efficient space excavated andy rantzens mind-bending will i dream? the rest of the world has become better acquainted with the darker & dubbier side of one of australias rave superstars. were excited to present a selection of tracks from andys incredibly diverse oeuvre, 6 songs that sit somewhere between 80s digital reggae, 90s rave and the horizon of our accelerating future. lifting the veil speeds up snappy drum programming and a thundering bassline to breakneck speeds, pitting them against sombre chords and strings, perfectly capturing the reflective headspace of a night drive through babylon. cosmic vibrations harks back to the development of fully computerised rhythms emanating from jammy and tubbys waterhouse studios, by way of erskineville. in the same vein, bedtime for boo boo sees andy joined on the boards by sydney dub technician sheriff lindo, creating a dynamic digi-dub number that is sure to come alive on any soundsystem worth its weight - a heady showcase for two of australia’s finest reggae talents. flip the disc to find move it, the most concentrated dose of the jungle vibes that permeate the ep. rantzen channels the headrush sonics, breakneck drums and euphoria of d n bs heydey, nailing the red-eyed early am atmosphere of a sydney warehouse ca. 95 - and its just as likely to cap off the night of many a secret inner west location to come. magic lantern marries a dreamy synthesizer melody with a wicked, subby bassline. if there was a dancehall scene in ferngully, this wouldve been the soundtrack, with enough low end to really rattle the treetops. on closer dub generator, a slightly-creepy mechanized voice urges you to “leave your worries at the door come and join your friends upon the floor - an introduction to the dancefloor or an induction into some sinister cult? whatever the message, the dub chords and massive bassline lull you into the headspace where these words take hold. all songs recorded at masking tapes, liquid blue and 1/66 enmore rd, 1997-2000.

after a few years on hiatus, one electronica has gone all out in with a heavy debut 4 tracker from new member thought camera. the young belfast born producer who has been very busy in the studio putting together an arsenal of electronic weapons has also enjoyed an increase in popularity and profile in the local scene due to his hard work and commitment to the cause. with such a strong release about to drop in the next few weeks and with more unreleased material on its way this guy is worth keeping an eye on as a rising talent. without using too many bullshit analogies – this is release is simply dancefloor bliss and a djs dream that will be keep at the front of a record box for years to come and could be a favourite among various styles. the title track astral pilot comes in strong with spatial glitchy electronic chatter and tubular echoes that are pretty damn haunting. headspace comes in on a2 which is the antithesis of serenity and meditation that the name suggests. this acidic jack track is upbeat and laden with bass bleeding all over the place. flip it over and you have lifeforms on the b1 which is the most technical track on the release which ebbs and flows between solemn and sombre leaving you emotionally twisted yet intrigued this is one to look out for! obsession which aptly depicts this track a stalker in the night, haunting, imposing, friday 13th shit. not for the faint hearted.

a hiatus is always something needed to experience, silence is a process in which one can value and have a closer perspective within sound. an-archon come to brake that silence, hermes is on duties for it delivering two massive harsh noise weapons, samuel kerridge and caos + inmediatismo complete the ep on remixing labors. no one can escape from the an-archon.
pressing on 180g vinyl, housed in a printed sleeve.

this newest installment of the ongoin series presents four very different hardspace mixes, each one of which allowing a different shade of len fakis musical guise to shine through. on guidance a quick-paced bounce grooves on top of a three-note bassline, suspenseful strings and sensous vox giving the track an unsuspectedly burning itch. equally smacking, yet both tribal and technoid is his rework of f.e.x‘s never give up, which keeps breaking down in order for the slicing hats to come back in and do their magic. tackling a current uk-techno-favorite on the flip, randomer & cadans‘ anchor has got a grimey grind to it, which here gets churned into an even more wicked version of a twisted trip down the rabbit hole. closing the ep out on a bleeping note, ribé‘s outlines is a deep-spacious, echo-laden affair, oscillating in tune and zoning alongside skitting percussives. as with all releases of lf rmx, the proceeds of this record will be forwarded to the berlin organization straßenkinder e.v. to be used in actions against child poverty.

simbad teams up with south african vocalist brian temba, whose previous release together come join in dropped on hi:rise back in 2011. in it’s original form take my hand is a sublime, forward-looking deep and soulful house track based around a filtering symphonic string loop, low-slung groove and heart-felt vocal. simbad has created a very london-centric vibe but with a french touch and detroit sensibilities, drawing from house heroes such as parrish and bradock, joining the dots and creating a fresh masterpiece in the process. next up we have jimpster on the remix, picking up the bpm’s slightly and loading up on his trademark deep stabs, sub-bass and spacious fx adding just enough dance-floor bump whilst leaving the vocal placed firmly at the core. on the flip side we have two smbd zulu edits which replace the more spartan groove of the original with some driving afro percussion. the first version keeps the vocal intact, the second version goes balls deep into dub territory, closing out this amazing release with an instrumental pushing the strings and hypnotic groove front and centre

dutch duo deep dimension debut on rekids with a stomping vocal cut entitled ‘so 1992’ featuring a collaborative remix from label founder radio slave and rising star p.leone. jeffrey hek & jimmy van de geijn have been actively djing for over two decades. the pair paired up as deep dimension in 2015, combining their talents to form a signature techno sound comprised of deep basslines and powerful kicks. launched earlier this year, their vinyl label named gen x has instantly picked up overwhelming support from the likes of radio slave, tommy four seven, benny rodriguez, kobosil, and many more. they now continue their upward trajectory by arriving on matt edwards’ respected berlin based imprint, rekids. thudding kicks are joined by rising synths as pitched up vocals come into play in ‘so 1992’– the result is a rave inspired techno monster designed to throw crowds into frenzy. on the flip, radio slave pairs up with rekids regular p.leone for a cavernous reimagining complete with rolling percussion, off-beat hats and eerie atmospherics.

kawuku sound is the coming together of uk producers contours & cervo and ugandan percussion troupe fonkodelis arkestra. this is the culmination of a month-long creative process that was born out of the nyege nyege affiliated boutiq studio in kawuku, kampala - uganda. the music was written and recorded in this shared residency space, home to musicians and visual artists from all over east africa and beyond, and a hub for kampala s underground electronic music scene. boutiq studio s diy mentality provided the perfect environment for experimentation, allowing the fusion of these disparate sounds. kawuku sound is a reflection of this, merging the hypnotic and trance-inducing percussion of buganda drumming with elements of contemporary electronics and traditional instrumentation. this the first album release to come out on manchester imprint banana hill as they continue to push the boundaries of afro-electronic sounds.

public release maintains its coast-switching lifestyle with what is perhaps its most ambitious project—and inarguably its longest - yet, earth boys’ debut full-length, the eboys lp, the logical conclusion to a chain of collaborations that began, a little over a year ago, with the release of their trail mix ep. the two-disc, twelve-track album represents a new high for the pair comprised of michael sherburn and julian c. duron both creatively and technically, ideas they’ve been stewing and simmering since their splash of a debut in 2015 are now presented fully baked here.

shot at dawn is a scintillating return for a band who have been collectively quiet (but individually busy) for a few years, and (once again) sounds like the music of tomorrow. lyricist leon mayes wills the real revolution to come, morris’s uneasy keys and driving, bittersweet production embodies the uk s collective anxiety/apathy coupled with an impending sense of doom, as we all obediently troop off the cliff like lemmings, while vocalist michelle manetti s melancholy delivery is the perfect foil both, recalling tracey thorn at her best.

korpus 9 records kicks off with a brand new ep from dubspeeka, featuring four tracks of high impact and atmospheric techno. korpus 9 records is a brand new techno label from russia managed by kwazalski. the main aim of the label is to release fresh and innovative material, not only digitally, but also on vinyl. all the imagery and influences of the label come from an abandoned research station that is deep underwater, where unusual events are happening around it on a constant basis. charged with the first release is shadowy bristolian producer dubspeeka, who has put out his music on drumcode, senso sounds and get physical, runs skeleton recordings and has a fierce techno sound. the opener here is garrison, a driving number with heavy drums and a warm but edgy mood. garrison 2 is more spaced out, with celestial pads baring a feeling of suspense above the firmly rooted drums. garrison 3 then has lumpy drums that bob up and down, as acid lines, water sounds and metallic hits all add atmosphere to the cavernous groove. last of all, garrison 4 is an eerie dub techno track with real drive but also plenty of thoughtful emotions. it closes out a brilliant first ep on this exciting new label.

hijacked records detroit is feeling inspired after hearing new work from one of our favourite allies in techno, jules wells. we felt it was our duty to deliver this to the people, three new productions from jules with a guest remix from our own antwon faulkner. please enjoy - -silent orchestra.- the title track from jules really set the bar for this release. jules really understands story telling with music and this track transports you to a time in techno that was both hopeful and beautifully heart breaking. a persistent chord progression is wrapped in celestial synth harmonies filing up the space all around you and reaching in. that classic clap is underpinned with a touch of acid, creating an edge. at the 4:33 mark an enchanting and haunting sign wave tells a melodic tragedy. strings come in delicately but wash over you completely. this track is both stunning and devastating.

als in großbritannien entspannter roots reggae den harten rude boy/skinheadsound ablöste.

french producer lb aka labat returns with a new lp named “fake memories” on his own label alélah records. he surprises us with some more hip-hop and r’n’b music, liberating his love for jazz rythms and harmonics. known for his talent at playing with samples, this new lp expresses his actual potential, offering a large use of instrumental stuff : violin and piano chords, guitar riffs… together with delicate voices that balance with the old school drums and procure gentleness to the sharp hats. the b3 eponymous track even discloses the man’s voice, with lyrics sang by himself

giuliano lomonte is back on his own imprint and straight to the point with tho original cuts. there is no doubt the distinctive bassline on a1 skyline will be stuck in your head long after the record is over and the deep and driving after hour vibes on b1 aquarium will keep the dance floor moving until the lights come on.

recorded at the age of 14, in 1956, under the direction of her father, reverend c. l. franklin, these gospel recordings of a teenaged aretha franklin are not just a sign of the brilliance to come, they are a force unto themselves. at this time aretha was performing in her father’s church, new bethel, in detroit, and traveling with her father’s »gospel caravan« tours, performing with the likes of sam cooke & the soul stirrers. like so many of the soul and r&b stars of the 50s and 60s, aretha started out in the church and it was there that she made some of her most powerful and transcendental music.

for the first time available on vinyl! 180 gram pressing with download code included.

till today fumio itabashi is a vital part of the japanese jazz culture as a live performer and film score composer. those who want to see how he makes love with his piano should check the world wide web for the french documentary jazzed out, that captured his unique way of playing in one episode. but as music is always firstly for the ears, and not for the eyes, this little letter in-front of you would rather like to recommend to play the “watarase” recordings loud to get hooked by the highly infectious piano gems that have been recorded at nippon columbia 1st studio in tokyo on 12th and 13th of octo-ber 1981. they will haunt you. they will come for good. and they will force you to be a good friend with the repeat button – whatever medium you chose to surrender to the piano jazz music of fumio itabashi.

four soulful tracks by four different unknown but respected artists.

since this year still hot are proud to welcome martin to their artist rooster. with his new -treat me bad- banger he finally makes his ep debut on still hot and proves his -all in- aspiration yet again. the title track -treat me bad- is an impressive demonstration of how striking electronic music can be when elaborate percussion and sound quality come together. massively powerful and just as smart -treat me bad- promises to have a salient impact on international dancefloors. with gorge we are glad to have another heavyweight on board who gave -treat me bad- a looser and more spherical vibe, however just as danceable as the original.

the burrell connection is somewhat a resident with craigie knowes, he lived in the same flat in glasgow with label boss max when he started the label in 2015, he featured on the first release, he contributed to second fundraiser album, hes also played half of the parties at their glasgow home, la cheetah club, and travelled with the craigie knowes dj team to wow crowds around europe. but enough of the history, this is now - the burrell connections debut ep with the imprint, hyper/orbit. hyperactive techno and breaks blended together, emotive pads, 808 basslines and that ever-creative and homage-paying sampling ability that the burrell connections noble followers have come to love. its scotlands poster-boy at his finest. diversity is the key to longevity.

powel returns to all day i dream with an ep that perfectly encapsulates the label s emotive sound. beautiful and dreamy journeys to close your eyes to and float. ever the perfectionist powel’s tracks have been heard at the events in various revised forms until, finally, he was happy. that makes us happy too. if you’re expecting peak time bangers please move on immediately. however, if you love tinkling bells, smooth flourishes of emotion and great beats then you’ve come to the right place.

as talk of break’s fifth studio album ‘another way’ starts to run wild amongst the drum & bass underground, bristol uk’s most prolific boss of bass drops ‘album sampler 1’ upon us, setting the scene for what’s to come.
‘keepin it raw’ and ‘hip punch’ roll hard ready to thug out the dance as break delivers his trademark low-slung heaters as only he knows how. quality d&b as always that whet’s the appetite nicely.

dark entries are honored to reissue the 2nd full length from carolyn fok / cyrnai, an asian-american female solo artist from the bay area. originally released by ladd-frith in 1986, this reissue adds 4 unreleased bonus tracks recorded during the same period. each copy includes a 16-page zine with lyrics, photos and notes by carolyn. all songs have been remastered by george horn at fantasy studios.

erstmals auf vinyl: raritäten, b-seiten, demos und alternative versionen in 4lp-box.

the raptures luke jenner ventures firmly into the dance floor, this time in full force, on glittering jewel, the brooklyn-based producers debut ep under his meditation tunnel guise. red axes come through with an unclassifiable, stripped-down reinterpretation of fire fly, the perfect pair to deconstruct and re-contextualize the original material.

music mania and indica dubs is proud to present the next release in their mania dub series. following multiple classic re-issues, we now bring you two freshly produced dubplates on a 10inch by uk dub innovators alpha & omega. taken from the forthcoming lp: dub plate selection vol. 3. alpha & omega are a roots/dub duo that mix both analogue and digital elements, comprising bassist christine woodbridge and keyboard player john sprosen. they began working together in the mid-1980’s and issued their debut home-recorded cassette in 1988. this 10” includes rootical dub and hands up high (both tracks will be found on the brand new forthcoming dub plate selection vol. 3 lp) that come with extra exclusive dub mixes, for serious sound system addicts! the tracks have been remastered to sound to their full potential! beware: loaded with heavyweight roaring basslines, unstoppable echoes, mystical reverbs and phasers. all special dub effects that will make you get up and dance! also coming soon: a brand-new alpha & omega lp on mania dub!

9 months of gestation that ignites in 7 titles of contemplative pop, hovering funk, cosmic soul built all this: the jazz fusion of soft machine, the krautrock of the wizards of can, the irresistible languor of italian crooners (toto cutugno and lucio battisti in the lead) as the soundtracks, so sensual, composed by pino donnagio for brian de palma... but if antoine kogut makes this references his own, it is because he considers each of the titles of sphere of existence as «songs, not tracks». with his deep voice he has the ambition to tell us a story through them: his own, and that of the world in which we live with as a guiding idea that all phillip k. dicks predictions have come true today. which ones? youll have to look in the multiple circles assembled by antoine kogut to compose sphere of existence.

belgiums most praised dubstep label duploc has been consistently releasing two-track singles since 2015. the imprint curated by platform duploc.com now announces the launch of a new 12inch vinyl release series. catalogued as duplocv001, the first ep features no one less than label resident hebbe. the dutch up-and-comer was introduced to duploc in the beginning of 2018 with duploc020, as he was signed to crucial recordings and artikal music uk short after. now he returns to the label for the first volume of the new dupplates series. watch out is one of hebbe’s most anticipated tracks as a chest-oppressive weighty sub bass rolls through a distorted landscape of cinematic samples and sinister melodies which are constantly progressing. of course resident enigma dubz has to be involved in this first instalment as he delivers an incredibly stunning remix, hitting you with pure bassweight and powerful synths. on the flip side, compatriot melle and the like-minded mr.k enthusiastically accompany hebbe to unleash both the bouncing wayside as well as the murky lemon twist, two highly overdue cuts. the dupplates vol. 1 is an essential in your record collection and marks a first much promising episode for the next to come on duplocs prestigious series.

the heavy industrial crunch and rubbery synths of fraks trademark sounds come to hypercolour with the four track berga magic ep. the swedish techno trio have been active since the late 1980s, issuing cassette tapes (and later, vinyl) filled with blueprint techno and electronica on their own boerft records label. following in the footsteps of severed heads, d.a.f. and devo, frak have truly embraced performance art and experimental minimalism over the years, never compromising, always innovating. the berga magic ep comes brimming with raw analogue explorations and delightfully incongruous noise.

jump trax is another essential piece of early chicago house music crafted by the legendary duane thamm jr back in 1984. fusing together a myriad of influences including early 80s euro pop, italo disco and hi nrg, thamm jr was responsible for helping create and influence the burgeoning house sound that would emanate from the city all throughout the second half of the 1980s. not only were these sounds new and fresh, they were experimental too, jump trax sees the bpm s gradually shift throughout the duration of the tracks seamlessly giving the more adventurous djs out there more ammunition and room to experiment with styles and bpms. a truly visionary approach to production and all recorded and mixed within chicago s city limits by thamm jr at his reel to reel studio located in villa park, illinois. jump trax continues to be as influential today as it was back in 84, with many top dj s still citing the record as a go to, powerful indeed. chicagos still music are proud to present this fully legit, remastered and repressed piece of chicago house history. a truly pivotal record now made available again for 2018. essential sound for those who love the real deal snoozing not advised, og copies of this monster are hard to come by!

new from the ever discerning nous camp comes ayln s rehtomep, a 25 minute exploration of the kind of unrelenting machine music for which both artist and label have come to prominenc. side a is a journey through sparse syncopated rhythms, industrial noise motifs and the kind of buzz and hum that the heroes of the second wave of techno music championed, culminating in the ep s title track rehtom which is an exercise in analogue techno mastery. side b s delivery is subtly more dulcet, kicking off with digital memories, which has a more classical techno structure than anything that came before, building intricate melodies into an otherwise taut and tightly woven electronic landscape while the closing impulsive sheit is a gentle downbeat number, exploring the space within the music and creating an atmospheric ambient discourse to outro the heady charge of the ep as a whole.

seth troxlers definitive dance floor label play it say it has a real coup for their next single: a collaborative track from trendsetting and globally renowned brothers nic fanciulli and mark fanciulli, one that is likely to become an anthem for the months ahead. the high impact star is the sort of big, muscular main room tune that blows crowds away. built around barreling drums and rubbery bass, the track is brought to life with a classic vocal sample from rose royces 1978 hit wishing on a star that truly sets the whole thing on fire. creeping synth sounds add another edge to things and the results are sure to sweep up even the biggest of dance floors. the superb dub version has even more focus on the monstrous drums and allows the synths to breath that bit more for extra euphoric effects. this is a brilliant pairing and it s no surprise the prominent brothers come up with some real house heat here.

keine andere musikrichtung ist so mit dem sommer verknüpft wie reggae. sobald die wärmsten tage des jahres beginnen hört man aus den cabrios und auf vielen partys die rhythmen aus jamaika. natürlich darf der größte aller reggae künstler nicht fehlen: bob marley. außerdem gibt es hits von beenie man, gregory isaacs, sly & robbie, john holt auf vinyl.

der drummer poogie bell, bekannt als langjähriger groovemeister von bassgröße marcus miller und verlässlicher sideman von künstlern wie stanley clarke, david sandborn, chaka khan, erykah badu, angelique kidjo oder al jarreau, zeigt auf exhibition continues eine völlig andere seite seiner musikalischen welt. die eklektische sammlung führt den in pittsburgh geborenen bell in anspruchsvolles terrain, das deutlich über das klassische pocket playing hinausgeht. auf seinem nunmehr bereits sechsten album als leader verbindet er viele elemente – streicher, soulstimmen, tiefgründige liedtexte und einflüsse aus gospel, jazz, afro-cuban und fusion. ein anspruchvolles werk mit tiefgang!

all four tracks come together in a cohesive slab of synth driven, dreamy, and psychotropic melodies perfect for both deep woods adventures and intimate club happenings.

our brand new series systematic soundscapes is for fans of club music made with highgrade and original synth sounds and without many times used vocal or sound sound samples. all tracks come along with fresh and unheard vibes. for the first volume which was compiled by marc romboy, sascha braemer celebrates his label debut with the moving butterflies, followed by high energy rhythms by spirit catcher from belgium who have already produced many tracks on the label. roy rosenfeld contributes distorted reality, which is in the best tradition of his music released on kx and systematic, straight, powerful and touching. and also thyladomid has his debut with devils dance, musical stuff as we know it from the label.

tel avivs hectik and asaf samuel come with a vicious edit of a drunk and rowdy wedding classic. mexicos mufti takes the maserati into overdrive with his rework of an 80s heater. international waters wont be muddied by this unity of lust and fury.

slices of life celebrates the 10th release with a two-part vinyl compilation: sol10.1 and sol10.2! for the 10th release label owner barbara preisinger is gathering seven unreleased tracks on two seperate 12inches, by previous slices of life artists as well by producers who have a relationship to the label through frindship, events and personal support. each track presents the personal unique style of its producer, but all have a feeling for warm sounding organic house grooves in common, what slices of life stands for since the beginnings in 2009. on the first 12inch, sol10.1 the mole, baaz and john tejada excite us with an extension of their previous slices of life repertoire with 3 further timeless pieces of house music: trippy and soulful (come on kid), deep and percussive (fitzy), minimal and playful (how i used to). dana ruh celebrates her debut at slices of life with out of ada20: an upbuilding sunrise track carried by a driving beat and thrilling string lines. november 9th 2018 the 2nd part, sol10.2 will follow with exclusive tracks by dj deep, cab drivers und oscar schubaq.

slices of life celebrates the 10th release with a two-part vinyl compilation: sol10.1 and sol10.2!

that warm and dreamy italian sound is experiencing a huge revival for a while now. some of the best new cuts in this genre come from the cosmic rhythm camp. producers nicolas and michele combine forces to deliver you this awesome new rydm sectors ep called summertime. 4 deep house bombs with pumping club vibe!